Author Archives: FIAR Marshall

“I’d rather push a guy out a window”: Trauma, Abject Bodies, and the Unhomely in The Catcher in the Rye

Danielle Glassmeyer (Bradley University, Peoria, Illinois, USA)

Posted in Volume 10.2 | Tagged , , , |

Las niñas del Caribe y la “conciencia corporal”: apuntes para una descolonización encarnada

Nadia V Celis Salgado (Bowdoin College)

Posted in Volume 10.2 | Tagged , , , |

El cuerpo como evidencia: etnicidad y género en los Andes

Carmen Ibáñez (Universität zu Köln)

Posted in Volume 10.2 | Tagged , , |

“Reduce Your Appearance Instantly!” Representations of the Female Body in the Comic Books for Women and Girls

Katharina Vester (American University)

Posted in Volume 10.2 | Tagged , , |

Cuerpos en disputa. Reflexiones sobre cuerpo y género desde los discursos de tres mujeres profesionales en danza contemporánea

Natalia Lecca Silva (Lima, Perú)

Posted in Volume 10.2 | Tagged , , , , |

The US Breast Cancer Body in the Rising Age of the Mastectomy

Bernadette Wegenstein (The Johns Hopkins University)

Posted in Volume 10.2 | Tagged , , , |

Bodies in the Americas (Introduction)

Susana Rocha Teixeira (Bielefeld University)

Posted in Volume 10.2 | Tagged , , , , |

Capital Crimes in the Americas (Introduction)

Nicole Sparling Barco (Central Michigan University)

Posted in Volume 10.1 | Tagged , , |

The Sound of L.A. Noir: Listening to Marlowe’s Los Angeles in Raymond Chandler’s The Long Goodbye and Benjamin Black’s The Black-Eyed Blonde

Annika Eisenberg (Goethe-Universität Frankfurt)

Posted in Volume 10.1 | Tagged , , , , |

Donde todo se paga: Ricardo Piglia’s Blanco nocturno as a Lesson in Noir Economics

Erik Larson (Brigham Young University)

Posted in Volume 10.1 | Tagged , , , , |