Author Archives: FIAR Marshall

Capital Crimes in the Americas (Introduction)

Nicole Sparling Barco (Central Michigan University)

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The Sound of L.A. Noir: Listening to Marlowe’s Los Angeles in Raymond Chandler’s The Long Goodbye and Benjamin Black’s The Black-Eyed Blonde

Annika Eisenberg (Goethe-Universität Frankfurt)

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Donde todo se paga: Ricardo Piglia’s Blanco nocturno as a Lesson in Noir Economics

Erik Larson (Brigham Young University)

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Detective Fiction in the Monster, Mexico City

Leisa Rothlisberger Wiest (Pennsylvania State University)

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Violence and Globalization in De que nada se sabe (2002) by Alfredo Noriega: A Dark Account of Late Twentieth Century Ecuador in a Glocal Noir Ecuatoriano

Andres Aluma-Cazorla (University of Illinois-Chicago)

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From Barbarized to Disneyfied: Viewing 1990s New York City Through Eve Dallas, J.D. Robb’s Futuristic Homicide Detective

Jayashree Kamble (City University of New York: LaGuardia Community College)

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Difficult to Digest: Rubem Fonseca’s “Intestino Grosso” [“Large Intestine”] as a Scatological Theory of Crime Fiction

Nicole Sparling Barco (Central Michigan University)

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Issue 9.1 – Geopolitical Imaginaries in the Americas

Vol. 9 No. 1 (May 2016): Geopolitical Imaginaries in the Americas Download a .pdf of the complete issue here. Clara Buitrago, Mirko Petersen, Paul-Matthias Tyrell & Dorothea Wehrmann, Bielefeld University: Introduction: Geopolitical Imaginaries in the Americas Eric Selbin, Southwestern University: … Continue reading

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China´s Involvement in Jamaica. Socio-ecological Consequences of a Huge Infrastructural Project, An Interview with the Filmmaker Esther Figueroa about her Film “I Live for Art – An Ecocide Romance”

Anne Tittor (Bielefeld University) & Esther Figueroa (Vagabond Media, Jamaica)

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I Live for Art – An Ecocide Romance

Esther Figueroa (Vagabond Media, Jamaica)

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