ISSN: 1867-1519
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- Volume 3.2 (5)
- Volume 4.1 (6)
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- Volume 7.1 (7)
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- Volume 7.3 (10)
- Volume 8.1 (10)
- Volume 8.2 (9)
- Volume 8.3 (7)
- Volume 9.1 (6)
- Volume 9.2 (10)
Author Archives: FIAR Marshall
“I’d rather push a guy out a window”: Trauma, Abject Bodies, and the Unhomely in The Catcher in the Rye
Danielle Glassmeyer (Bradley University, Peoria, Illinois, USA)
Las niñas del Caribe y la “conciencia corporal”: apuntes para una descolonización encarnada
Nadia V Celis Salgado (Bowdoin College)
El cuerpo como evidencia: etnicidad y género en los Andes
Carmen Ibáñez (Universität zu Köln)
“Reduce Your Appearance Instantly!” Representations of the Female Body in the Comic Books for Women and Girls
Katharina Vester (American University)
Cuerpos en disputa. Reflexiones sobre cuerpo y género desde los discursos de tres mujeres profesionales en danza contemporánea
Natalia Lecca Silva (Lima, Perú)
The US Breast Cancer Body in the Rising Age of the Mastectomy
Bernadette Wegenstein (The Johns Hopkins University)
Bodies in the Americas (Introduction)
Susana Rocha Teixeira (Bielefeld University)
Posted in Volume 10.2
Tagged bodies in the Americas, cultural studies, discussions, human bodies, modifications
Capital Crimes in the Americas (Introduction)
Nicole Sparling Barco (Central Michigan University)
The Sound of L.A. Noir: Listening to Marlowe’s Los Angeles in Raymond Chandler’s The Long Goodbye and Benjamin Black’s The Black-Eyed Blonde
Annika Eisenberg (Goethe-Universität Frankfurt)
Donde todo se paga: Ricardo Piglia’s Blanco nocturno as a Lesson in Noir Economics
Erik Larson (Brigham Young University)
Posted in Volume 10.1
Tagged crime, economy of detection, neoliberal economy, noir mode, Ricardo Piglia