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Author Archives: FIAR Marshall
Capital Crimes in the Americas (Introduction)
Nicole Sparling Barco (Central Michigan University)
The Sound of L.A. Noir: Listening to Marlowe’s Los Angeles in Raymond Chandler’s The Long Goodbye and Benjamin Black’s The Black-Eyed Blonde
Annika Eisenberg (Goethe-Universität Frankfurt)
Donde todo se paga: Ricardo Piglia’s Blanco nocturno as a Lesson in Noir Economics
Erik Larson (Brigham Young University)
Detective Fiction in the Monster, Mexico City
Leisa Rothlisberger Wiest (Pennsylvania State University)
Violence and Globalization in De que nada se sabe (2002) by Alfredo Noriega: A Dark Account of Late Twentieth Century Ecuador in a Glocal Noir Ecuatoriano
Andres Aluma-Cazorla (University of Illinois-Chicago)
From Barbarized to Disneyfied: Viewing 1990s New York City Through Eve Dallas, J.D. Robb’s Futuristic Homicide Detective
Jayashree Kamble (City University of New York: LaGuardia Community College)
Difficult to Digest: Rubem Fonseca’s “Intestino Grosso” [“Large Intestine”] as a Scatological Theory of Crime Fiction
Nicole Sparling Barco (Central Michigan University)
Issue 9.1 – Geopolitical Imaginaries in the Americas
Vol. 9 No. 1 (May 2016): Geopolitical Imaginaries in the Americas Download a .pdf of the complete issue here. Clara Buitrago, Mirko Petersen, Paul-Matthias Tyrell & Dorothea Wehrmann, Bielefeld University: Introduction: Geopolitical Imaginaries in the Americas Eric Selbin, Southwestern University: … Continue reading
Posted in Volume 9.1
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China´s Involvement in Jamaica. Socio-ecological Consequences of a Huge Infrastructural Project, An Interview with the Filmmaker Esther Figueroa about her Film “I Live for Art – An Ecocide Romance”
Anne Tittor (Bielefeld University) & Esther Figueroa (Vagabond Media, Jamaica)
I Live for Art – An Ecocide Romance
Esther Figueroa (Vagabond Media, Jamaica)