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Persistent Resistance: The Demand for Collective and Individual Human Rights Action in the Music of Rebel Diaz

Posted on 10/31/2019 by Alina Munoz

Terence Kumpf, Technische Universität Dortmund:

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Bomba y plena, música afropuertorriqueña y rebeldía social y estética

Posted on 10/31/201911/23/2019 by Alina Munoz

Pablo Luis Rivera, Universidad de Puerto Rico / Restauración Cultural & Juan José Vélez Peña, Universidad de Bremen / Restauración Cultural:

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Nahua Reggae and Metal: A Comparative Case between LA and Mexico

Posted on 10/31/201911/03/2019 by Alina Munoz

Paloma Coatlicue Rodríguez Villarruel, Bielefeld University:

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Popular Music: Identity, Social Change and Human Rights: Responses from Trinidad’s Calypso Music

Posted on 10/31/201911/03/2019 by Alina Munoz

Meagan Sylvester, The University of the West Indies:

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Book Review: Sonic Politics: Music and Social Movements in the Americas

Posted on 10/31/201911/03/2019 by Alina Munoz

Anne Lappert, Bielefeld University

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‘We Wear the Mask’: Modern ‘Masks,’ Reflexivity, and Black Practices of Comparing in the Harlem Renaissance

Posted on 06/20/2019 by Alina Munoz

Wilfried Raussert, Bielefeld University:

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Introduction: Doing and Undoing Comparisons in the Americas from the Colonial Times to the Present

Posted on 06/20/201906/20/2019 by Alina Munoz

Susana Rocha Teixeira, Bielefeld University:

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Book Review “Weird American Music”

Posted on 06/20/2019 by Alina Munoz

Kensedeobong Blessed Okosun, Bielefeld University

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Placing Prospero’s Island: (Post)Colonial Practices of Comparing in the Academic Reception of Shakespeare’s The Tempest

Posted on 06/20/2019 by Alina Munoz

Marcus Hartner, Bielefeld University:

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How (Not) to Compare White Poverty: Class Issues, Socioeconomic Suffering, Literature

Posted on 06/20/201907/29/2019 by Alina Munoz

Carsten Schinko, University of Tübingen:

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