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Cuerpos en disputa. Reflexiones sobre cuerpo y género desde los discursos de tres mujeres profesionales en danza contemporánea

Posted on 11/29/201703/29/2019 by FIAR Marshall

Natalia Lecca Silva (Lima, Perú)

Continue reading Cuerpos en disputa. Reflexiones sobre cuerpo y género desde los discursos de tres mujeres profesionales en danza contemporánea

The US Breast Cancer Body in the Rising Age of the Mastectomy

Posted on 11/29/201703/29/2019 by FIAR Marshall

Bernadette Wegenstein (The Johns Hopkins University)

Continue reading The US Breast Cancer Body in the Rising Age of the Mastectomy

Bodies in the Americas (Introduction)

Posted on 11/29/201703/29/2019 by FIAR Marshall

Susana Rocha Teixeira (Bielefeld University)

Continue reading Bodies in the Americas (Introduction)

Capital Crimes in the Americas (Introduction)

Posted on 05/11/201703/29/2019 by FIAR Marshall

Nicole Sparling Barco (Central Michigan University)

Continue reading Capital Crimes in the Americas (Introduction)

The Sound of L.A. Noir: Listening to Marlowe’s Los Angeles in Raymond Chandler’s The Long Goodbye and Benjamin Black’s The Black-Eyed Blonde

Posted on 05/11/201703/28/2019 by FIAR Marshall

Annika Eisenberg (Goethe-Universität Frankfurt)

Continue reading The Sound of L.A. Noir: Listening to Marlowe’s Los Angeles in Raymond Chandler’s The Long Goodbye and Benjamin Black’s The Black-Eyed Blonde

Donde todo se paga: Ricardo Piglia’s Blanco nocturno as a Lesson in Noir Economics

Posted on 05/11/201703/29/2019 by FIAR Marshall

Erik Larson (Brigham Young University)

Continue reading Donde todo se paga: Ricardo Piglia’s Blanco nocturno as a Lesson in Noir Economics

Detective Fiction in the Monster, Mexico City

Posted on 05/11/201703/28/2019 by FIAR Marshall

Leisa Rothlisberger Wiest (Pennsylvania State University)

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Violence and Globalization in De que nada se sabe (2002) by Alfredo Noriega: A Dark Account of Late Twentieth Century Ecuador in a Glocal Noir Ecuatoriano

Posted on 05/11/201703/28/2019 by FIAR Marshall

Andres Aluma-Cazorla (University of Illinois-Chicago)

Continue reading Violence and Globalization in De que nada se sabe (2002) by Alfredo Noriega: A Dark Account of Late Twentieth Century Ecuador in a Glocal Noir Ecuatoriano

From Barbarized to Disneyfied: Viewing 1990s New York City Through Eve Dallas, J.D. Robb’s Futuristic Homicide Detective

Posted on 05/11/201703/29/2019 by FIAR Marshall

Jayashree Kamble (City University of New York: LaGuardia Community College)

Continue reading From Barbarized to Disneyfied: Viewing 1990s New York City Through Eve Dallas, J.D. Robb’s Futuristic Homicide Detective

Difficult to Digest: Rubem Fonseca’s “Intestino Grosso” [“Large Intestine”] as a Scatological Theory of Crime Fiction

Posted on 05/11/201703/29/2019 by FIAR Marshall

Nicole Sparling Barco (Central Michigan University)

Continue reading Difficult to Digest: Rubem Fonseca’s “Intestino Grosso” [“Large Intestine”] as a Scatological Theory of Crime Fiction

All of the articles

Natalia Lecca Silva (Lima, Perú) Continue reading Cuerpos en disputa. Reflexiones sobre cuerpo y género desde los discursos de tres mujeres profesionales en danza contemporánea

Bernadette Wegenstein (The Johns Hopkins University) Continue reading The US Breast Cancer Body in the Rising Age of the Mastectomy

Susana Rocha Teixeira (Bielefeld University) Continue reading Bodies in the Americas (Introduction)

Nicole Sparling Barco (Central Michigan University) Continue reading Capital Crimes in the Americas (Introduction)

Annika Eisenberg (Goethe-Universität Frankfurt) Continue reading The Sound of L.A. Noir: Listening to Marlowe’s Los Angeles in Raymond Chandler’s The Long Goodbye and Benjamin Black’s The Black-Eyed Blonde

Erik Larson (Brigham Young University) Continue reading Donde todo se paga: Ricardo Piglia’s Blanco nocturno as a Lesson in Noir Economics

Leisa Rothlisberger Wiest (Pennsylvania State University) Continue reading Detective Fiction in the Monster, Mexico City

Andres Aluma-Cazorla (University of Illinois-Chicago) Continue reading Violence and Globalization in De que nada se sabe (2002) by Alfredo Noriega: A Dark Account of Late Twentieth Century Ecuador in a Glocal Noir Ecuatoriano

Jayashree Kamble (City University of New York: LaGuardia Community College) Continue reading From Barbarized to Disneyfied: Viewing 1990s New York City Through Eve Dallas, J.D. Robb’s Futuristic Homicide Detective

Nicole Sparling Barco (Central Michigan University) Continue reading Difficult to Digest: Rubem Fonseca’s “Intestino Grosso” [“Large Intestine”] as a Scatological Theory of Crime Fiction

Natalia Lecca Silva (Lima, Perú)

Continue reading Cuerpos en disputa. Reflexiones sobre cuerpo y género desde los discursos de tres mujeres profesionales en danza contemporánea

Bernadette Wegenstein (The Johns Hopkins University)

Continue reading The US Breast Cancer Body in the Rising Age of the Mastectomy

Susana Rocha Teixeira (Bielefeld University)

Continue reading Bodies in the Americas (Introduction)

Nicole Sparling Barco (Central Michigan University)

Continue reading Capital Crimes in the Americas (Introduction)

Annika Eisenberg (Goethe-Universität Frankfurt)

Continue reading The Sound of L.A. Noir: Listening to Marlowe’s Los Angeles in Raymond Chandler’s The Long Goodbye and Benjamin Black’s The Black-Eyed Blonde

Erik Larson (Brigham Young University)

Continue reading Donde todo se paga: Ricardo Piglia’s Blanco nocturno as a Lesson in Noir Economics

Leisa Rothlisberger Wiest (Pennsylvania State University)

Continue reading Detective Fiction in the Monster, Mexico City

Andres Aluma-Cazorla (University of Illinois-Chicago)

Continue reading Violence and Globalization in De que nada se sabe (2002) by Alfredo Noriega: A Dark Account of Late Twentieth Century Ecuador in a Glocal Noir Ecuatoriano

Jayashree Kamble (City University of New York: LaGuardia Community College)

Continue reading From Barbarized to Disneyfied: Viewing 1990s New York City Through Eve Dallas, J.D. Robb’s Futuristic Homicide Detective

Nicole Sparling Barco (Central Michigan University)

Continue reading Difficult to Digest: Rubem Fonseca’s “Intestino Grosso” [“Large Intestine”] as a Scatological Theory of Crime Fiction