Category Archives: 10.1

Capital Crimes in the Americas (Introduction)

Nicole Sparling Barco (Central Michigan University)

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The Sound of L.A. Noir: Listening to Marlowe’s Los Angeles in Raymond Chandler’s The Long Goodbye and Benjamin Black’s The Black-Eyed Blonde

Annika Eisenberg (Goethe-Universität Frankfurt)

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Donde todo se paga: Ricardo Piglia’s Blanco nocturno as a Lesson in Noir Economics

Erik Larson (Brigham Young University)

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Detective Fiction in the Monster, Mexico City

Leisa Rothlisberger Wiest (Pennsylvania State University)

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Violence and Globalization in De que nada se sabe (2002) by Alfredo Noriega: A Dark Account of Late Twentieth Century Ecuador in a Glocal Noir Ecuatoriano

Andres Aluma-Cazorla (University of Illinois-Chicago)

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From Barbarized to Disneyfied: Viewing 1990s New York City Through Eve Dallas, J.D. Robb’s Futuristic Homicide Detective

Jayashree Kamble (City University of New York: LaGuardia Community College)

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Difficult to Digest: Rubem Fonseca’s “Intestino Grosso” [“Large Intestine”] as a Scatological Theory of Crime Fiction

Nicole Sparling Barco (Central Michigan University)

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