Aracely Rodríguez, La Habana, Cuba:
The text reflects on the Caliban(a) feminist discourse from the Afrodiasporic perspective and its multiple gazes. It delineates the resilient experiences of women in constant connection with the foundations of denunciation of the discourse of the pioneers of black Caribbean feminist thought. It examines how they overcame distances in times and historical contexts, related to a past of enslavement, patriarchy and discriminatory experiences lived in emigration because of their status as women/blacks/poor/migrants from the Caribbean. It argues that these oppressions have not changed, but have been transformed. Hiding under other codes denounced “loudly” through the discourses of graffiti, poetry, spoken word and decolonial feminist activism, as in the Cuban Hip Hop movement. It traces how feminist Hip Hop artists in Cuba and the Caribbean are the keepers and reproducers of the cultural heritage, have been supportive in the migratory processes to maintain the link between the receiving and sending societies and have expressed a resistant attitude.