The Monstrous-Masculine: Adolescence, Abjection, and the Screen Male in Denys Arcand’s Les Invasions barbares (2003) and Alejandro González Iñárritu’s Amores perros (2000) Posted on 06/02/200804/05/2019 by Wilfried Raussert Sarah-May O’Sullivan, University of Dublin Continue reading The Monstrous-Masculine: Adolescence, Abjection, and the Screen Male in Denys Arcand’s Les Invasions barbares (2003) and Alejandro González Iñárritu’s Amores perros (2000)
