The Monstrous-Masculine: Adolescence, Abjection, and the Screen Male in Denys Arcand’s Les Invasions barbares (2003) and Alejandro González Iñárritu’s Amores perros (2000)

Sarah-May O’Sullivan,

University of Dublin

Weiterlesen The Monstrous-Masculine: Adolescence, Abjection, and the Screen Male in Denys Arcand’s Les Invasions barbares (2003) and Alejandro González Iñárritu’s Amores perros (2000)