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‘Post-Communism’, Radicalism, and the Intellectual Left: a Comparative Approach
(In)visibilities, (De)humanizations and Globalizations: The Migrant Body in Border Film of the 2000s
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Salsa’s Puerto Rican Roots: The Diasporic Nexus of Santura
Posted on
05/06/2010
by
Wilfried Raussert
Shannon Dudley (University of Washington: School of Music)
20 May 2009 at Bielefeld University
This entry was posted in
Volume 3.1
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‘Post-Communism’, Radicalism, and the Intellectual Left: a Comparative Approach
(In)visibilities, (De)humanizations and Globalizations: The Migrant Body in Border Film of the 2000s
→
ISSN: 1867-1519
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