All of the articles |

Nahua Reggae and Metal: A Comparative Case between LA and Mexico

Posted on 10/31/201911/03/2019 by Alina Munoz

Paloma Coatlicue Rodríguez Villarruel, Bielefeld University:

Continue reading Nahua Reggae and Metal: A Comparative Case between LA and Mexico

Popular Music: Identity, Social Change and Human Rights: Responses from Trinidad’s Calypso Music

Posted on 10/31/201911/03/2019 by Alina Munoz

Meagan Sylvester, The University of the West Indies:

Continue reading Popular Music: Identity, Social Change and Human Rights: Responses from Trinidad’s Calypso Music

Book Review: Sonic Politics: Music and Social Movements in the Americas

Posted on 10/31/201911/03/2019 by Alina Munoz

Anne Lappert, Bielefeld University
Continue reading Book Review: Sonic Politics: Music and Social Movements in the Americas

‘We Wear the Mask’: Modern ‘Masks,’ Reflexivity, and Black Practices of Comparing in the Harlem Renaissance

Posted on 06/20/2019 by Alina Munoz

Wilfried Raussert, Bielefeld University:

Continue reading ‘We Wear the Mask’: Modern ‘Masks,’ Reflexivity, and Black Practices of Comparing in the Harlem Renaissance

Introduction: Doing and Undoing Comparisons in the Americas from the Colonial Times to the Present

Posted on 06/20/201906/20/2019 by Alina Munoz

Susana Rocha Teixeira, Bielefeld University:

Continue reading Introduction: Doing and Undoing Comparisons in the Americas from the Colonial Times to the Present

Book Review “Weird American Music”

Posted on 06/20/2019 by Alina Munoz

Kensedeobong Blessed Okosun, Bielefeld University
Continue reading Book Review “Weird American Music”

Placing Prospero’s Island: (Post)Colonial Practices of Comparing in the Academic Reception of Shakespeare’s The Tempest

Posted on 06/20/2019 by Alina Munoz

Marcus Hartner, Bielefeld University:

Continue reading Placing Prospero’s Island: (Post)Colonial Practices of Comparing in the Academic Reception of Shakespeare’s The Tempest

How (Not) to Compare White Poverty: Class Issues, Socioeconomic Suffering, Literature

Posted on 06/20/201907/29/2019 by Alina Munoz

Carsten Schinko, University of Tübingen:

Continue reading How (Not) to Compare White Poverty: Class Issues, Socioeconomic Suffering, Literature

Contesting Inequality. Joseph Anténor Firmin’s De l’égalité des races humaines, 133 years on

Posted on 06/20/201908/30/2019 by Alina Munoz

Gudrun Rath,University of Art and Design, Linz:

Continue reading Contesting Inequality. Joseph Anténor Firmin’s De l’égalité des races humaines, 133 years on

Gilberto Freyre entre duas Américas Latinas: a lusitana e a hispana. Análise da transformação da interpretação do Autor com relação a influência espanhola e portuguesa em América

Posted on 06/20/2019 by Alina Munoz

Yago Quiñones Triana, Universidade de Brasília:

Continue reading Gilberto Freyre entre duas Américas Latinas: a lusitana e a hispana. Análise da transformação da interpretação do Autor com relação a influência espanhola e portuguesa em América

All of the articles

Paloma Coatlicue Rodríguez Villarruel, Bielefeld University: Continue reading Nahua Reggae and Metal: A Comparative Case between LA and Mexico

Meagan Sylvester, The University of the West Indies: Continue reading Popular Music: Identity, Social Change and Human Rights: Responses from Trinidad’s Calypso Music

Anne Lappert, Bielefeld University Continue reading Book Review: Sonic Politics: Music and Social Movements in the Americas

Wilfried Raussert, Bielefeld University: Continue reading ‘We Wear the Mask’: Modern ‘Masks,’ Reflexivity, and Black Practices of Comparing in the Harlem Renaissance

Susana Rocha Teixeira, Bielefeld University: Continue reading Introduction: Doing and Undoing Comparisons in the Americas from the Colonial Times to the Present

Kensedeobong Blessed Okosun, Bielefeld University Continue reading Book Review “Weird American Music”

Marcus Hartner, Bielefeld University: Continue reading Placing Prospero’s Island: (Post)Colonial Practices of Comparing in the Academic Reception of Shakespeare’s The Tempest

Carsten Schinko, University of Tübingen: Continue reading How (Not) to Compare White Poverty: Class Issues, Socioeconomic Suffering, Literature

Gudrun Rath,University of Art and Design, Linz: Continue reading Contesting Inequality. Joseph Anténor Firmin’s De l’égalité des races humaines, 133 years on

Yago Quiñones Triana, Universidade de Brasília: Continue reading Gilberto Freyre entre duas Américas Latinas: a lusitana e a hispana. Análise da transformação da interpretação do Autor com relação a influência espanhola e portuguesa em América

Paloma Coatlicue Rodríguez Villarruel, Bielefeld University:

Continue reading Nahua Reggae and Metal: A Comparative Case between LA and Mexico

Meagan Sylvester, The University of the West Indies:

Continue reading Popular Music: Identity, Social Change and Human Rights: Responses from Trinidad’s Calypso Music

Anne Lappert, Bielefeld University
Continue reading Book Review: Sonic Politics: Music and Social Movements in the Americas

Wilfried Raussert, Bielefeld University:

Continue reading ‘We Wear the Mask’: Modern ‘Masks,’ Reflexivity, and Black Practices of Comparing in the Harlem Renaissance

Susana Rocha Teixeira, Bielefeld University:

Continue reading Introduction: Doing and Undoing Comparisons in the Americas from the Colonial Times to the Present

Kensedeobong Blessed Okosun, Bielefeld University
Continue reading Book Review “Weird American Music”

Marcus Hartner, Bielefeld University:

Continue reading Placing Prospero’s Island: (Post)Colonial Practices of Comparing in the Academic Reception of Shakespeare’s The Tempest

Carsten Schinko, University of Tübingen:

Continue reading How (Not) to Compare White Poverty: Class Issues, Socioeconomic Suffering, Literature

Gudrun Rath,University of Art and Design, Linz:

Continue reading Contesting Inequality. Joseph Anténor Firmin’s De l’égalité des races humaines, 133 years on

Yago Quiñones Triana, Universidade de Brasília:

Continue reading Gilberto Freyre entre duas Américas Latinas: a lusitana e a hispana. Análise da transformação da interpretação do Autor com relação a influência espanhola e portuguesa em América